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ASBA 2024 - Irina Neascu - Rendering in Mixed Dry Techniques
Item #:
ASBA2024-Neascu-2
Register at www.asba-art.org
We will have all the supplies you may need for your classes. If you would like to place a pre-order for pick-up at the conference, you may order directly online or by phone. Your pre-order must be placed prior to October 10. If you would like to preorder your supplies and pick them up at the conference we are happy to offer that service! Please use promo code : ASBA2024 to alert us that your order is for pick up at the conference. You will not be charged shipping as your order will not be shipped to you. Instead on the first day of the conference you can pick up your preorder in our onsite store!
Please add the sku to the right to your order if you would like to pick up at the ASBA 2024 Conference.
Rendering in Mixed Dry Techniques with Irina Neascu
This class is suitable for intermediates and advanced. It will focus on how to mix techniques while keeping the focus sharp, and on how to choose which is which - graphite or watercolor - in a botanical art composition. I aim to choose simple models, such as acorns, that will reveal shape, lights and shadows. This can be a good exercise for those who want to try dry brush, or maybe reconsider their knowledge in rendering light and shadow. It implies notions of composition and colors, but the class will mostly focus on how to mix techniques, not necessarily on how to basically handle them, therefore a minimum level is desirable.
Supply list:
- Watercolor and pencils, of one’s choice – we will work on nuts and acorns, so in a range of browns and sepias. Pencils I recommend the whole range 4H-4B
- Brushes, small sizes
- Eraser and sharpener
- Paper of one’s choice, size A4 or A3 – I prefer A3
- Tracing paper
- Tape
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On Sale
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On Sale
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On Sale
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Rendering in Mixed Dry Techniques with Irina Neascu
This class is suitable for intermediates and advanced. It will focus on how to mix techniques while keeping the focus sharp, and on how to choose which is which - graphite or watercolor - in a botanical art composition. I aim to choose simple models, such as acorns, that will reveal shape, lights and shadows. This can be a good exercise for those who want to try dry brush, or maybe reconsider their knowledge in rendering light and shadow. It implies notions of composition and colors, but the class will mostly focus on how to mix techniques, not necessarily on how to basically handle them, therefore a minimum level is desirable.
Supply list:
- Watercolor and pencils, of one’s choice – we will work on nuts and acorns, so in a range of browns and sepias. Pencils I recommend the whole range 4H-4B
- Brushes, small sizes
- Eraser and sharpener
- Paper of one’s choice, size A4 or A3 – I prefer A3
- Tracing paper
- Tape
Shipping and Returns
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